In an interview with Punch, he talked about Nollywood, and his partner Nadia Buari.
Read excerpts:
On being out of the movie scene for a while: “Nothing was challenging anymore. It was too easy and too perpetual. It was too boring and too predictable. I had no room to pursue or hone other skill sets I had. I didn’t have time for extra curriculums like hobbies, family, and friends, personal and social advancements. Something had to give! After all, I was the guy that made 38 films in a year”
On Nollywod’s slow progress: “Ours, if it isn’t oil and politics, then it isn’t attainable. They tie up funds in bogus and outlandish conditions and make bold and futuristic propaganda-driven statements as to how it is accessible to every practitioner that simply has to ask for the taking.
The sad part is that the practitioners do not even recognise the most basic of their fundamental rights. How can you ask, when you don’t understand what you’re asking for? The ones that do understand and fight to the helm of affairs are busy fighting each other and developing schemes to enrich their shallow pockets.”
On Controversies: “I’ve heard that I deem myself something of a puppeteer and that I orchestrate these media maelstroms to maintain relevance and news. I wish I was that creative! The other side of the debate – the more discerning would argue – I’m a victim of PR machinery gone wrong. Perhaps my handlers in the earlier stages of my career saw a need to create an unfathomable media being that was as audacious as the characters I played in films.
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